Friday, April 17, 2015

Chapter 19 / Night Watch

Rembrant / 1642
Rembrandt van Rijn was born in 1606 in Leiden, in Protestant Holland. During his career, Rembrandt worked largely for Protestant patrons. Rembrandt ran his own commercial patronage. He preferred that his works be valued as "Rembrandts", rather than products of a contractual agreement.

This painting shows militia company. Militia company are able bodied men who the city could call upon if needed to help with riots and help to defend the city. Most military paintings during this time showed the militia in a perfectly formed line, but Rembrandt decided to show them in the process of lining up. For this painting, Rembrandt was commissioned to paint one of the six large works that would be in the main hall of Kloveniersdoelen, which is the range building that the men practiced in. Rembrandt decided on an audacious composition. The men in the painting are in action, getting arranged and forming up. The painting is also very dark, which has actually been critiqued by some. The men in the painting more from dark into light, while the girl to the captain’s left is in full light, symbolizing the Kloveniers. She is carrying the costly drinking horn as well as a dead bird, which has a prominent claw. This is an emblem of the Musketeers, and also might be intended as a pun of the Captain’s name.

Some people think that this painting is meant to symbolize a scene at night, but actually the subdued lighting was just caused by the early darkening of the painting’s multi-layered varnish, which led to a very misleading name. Rembrandt uses light to highlight the two men at the center of the painting, as well as the girl to the left of the men. By showing the rest of the painting in shadows, Rembrandt effectively makes these three people the center of the painting’s attention. 

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